Melodrama / Realism: two conflicting approaches in literature, painting, theater, cinema, and music (from Euripides to TV series)
Program Overview
University Program Information
The Scuola Normale Superiore offers various programs for students and researchers.
Faculties
- Faculty of Humanities
- Faculty of Sciences
- Faculty of Political and Social Sciences
Teaching Syllabus
The teaching syllabus includes:
- Faculty of Humanities
- Faculty of Sciences
- Faculty of Political and Social Sciences
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- Course archive
- Admission to single courses
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College life at the Scuola Normale Superiore includes:
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- Disability support
- Student activities
Why Apply to the Normale?
The Scuola Normale Superiore offers:
- At the forefront of tradition
- A hotbed of talents
- The quality of training and research
- Connected to the world
- Study free of charge
- An ideal setting
Placement
Placement opportunities include:
- Incoming internships
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- For companies and institutions
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Admissions
Admission procedures include:
- Undergraduate
- PhD
- National Doctorates and Joint PhD at Partner Universities
Research and Innovation
Research and innovation at the Scuola Normale Superiore include:
- Cutting-edge research
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- Open Science
- Dissemination of research
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Research structures include:
- Laboratories and Centres
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Tools for Research
Tools for research include:
- Research opportunities and funding
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Public Engagement
Public engagement activities include:
- The "Normale delle Idee"
- The "Concerti della Normale"
- Il Cinema della Normale
- Communicating research
- The students' forum
- The "Letture della Normale"
- Contemporary art at the Carovana
- Piazza dei Cavalieri Project
- Third mission/Public Engagement co-ordination
Dissemination of Research
Dissemination of research includes:
- Meetings, conferences and workshops
- The Colloqui della Classe di Scienze
Valorisation of Research
Valorisation of research includes:
- Placement
- Trasferimento della conoscenza
- Open Science
- Gestione dei dati della ricerca
- Open access alle pubblicazioni
Melodrama / Realism: Two Conflicting Approaches
Academic Year 2025/2026
The course "Melodrama / Realism: two conflicting approaches in literature, painting, theater, cinema, and music (from Euripides to TV series)" is offered in the academic year 2025/2026.
Lecturer
The lecturer for this course is Massimo Fusillo.
Schedule
The schedule for this course includes:
- May 2026 - June 2026
- Total hours: 40
- Hours of lectures: 40
Examination Procedure
The examination procedure for this course includes a discussion of a paper.
Examination Procedure Notes
Students must prepare a seminar on a topic related to the monographic theme, not on the texts in the program; purely theoretical and methodological seminars are also welcome.
Prerequisites
There are no prerequisites for this course; it is designed for doctoral students but is also open to students enrolled in the regular course.
Syllabus
The course will develop the themes and issues covered in the regular course regarding the interaction between melodrama and realism, focusing primarily on theoretical and methodological questions and exploring the transmedia dissemination of the two approaches.
Bibliographical References
The bibliographical references for this course include:
- Pedro Almodóvar, Matador, Spagna 1986
- Erich Auerbach, Mimesis. Il realismo nella letteratura occidentale, Torino, Einaudi. 2002
- Honoré de Balzac, Illusioni perdute, Introduzione di Francesco Fiorentino, Milano, Rizzoli, 1995
- Federico Bertoni, Realismo e letteratura. Una storia possibile, Torino, Einaudi, 2007
- Emily Bronte, Cime tempestose, Milano, BUR, 2017
- Peter Brooks, L'immaginazione melodrammatica, prefazione di Mariolina Bertini, Milano, Il saggiatore, 2023
- Gustave Courbet, Il realismo. Lettere e scritti, Milano, Abscondita, 2024
- Euripide, Ippolito, con testo originale a fronte, a cura di Guido Paduano, Milano, BUR, 2000
- Lazarillo de Tormes, con testo a fronte, a cura di Antonio Gargano, Venezia, Marsilio, 2017
- Roberto Longhi, Caravaggio, Roma, Editori riuniti, 2006
- Alessandro Metlica, Lessico della propaganda barocca, Venezia, Marsilio, 2020
- Emiliano Morreale, Cosě piangevano. Il cinema melň nell'Italia degli anni Cinquanta, Roma, Donzelli, 2010
- Petronio, Satyricon, con testo originale a fronte, a cura di Andrea Aragosti, Milano, BUR, 1995
- Henry Purcell/Sasha Waltz, Dido and Aeneas, Berlin 2005
- Gianluigi Rossini, Le serie TV, Bologna, Il Mulino, 2016
- Douglas Sirk, All That Heaven Allows, USA 1955
- Walter Siti, Il realismo dell'avanguardia, Torino, Einaudi, 1975
- Giuseppe Verdi- Alexandre Dumas, La Traviata - La signora delle camelie, Firenze, Passigli, 1985
- Luchino Visconti, Senso, Italia 1954
