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Students
Tuition Fee
USD 29,940
Per year
Start Date
Not Available
Medium of studying
On campus
Duration
24 months
Program Facts
Program Details
Degree
Diploma
Major
Music
Discipline
Arts
Minor
Music Performance and Instrumental Studies
Education type
On campus
Timing
Full time
Course Language
English
Tuition Fee
Average International Tuition Fee
USD 29,940
Intakes
Program start dateApplication deadline
2023-09-01-
About Program

Program Overview


Advance your skills as a singer with a postgraduate programme in Vocal Performance at

Royal Birmingham Conservatoire.

Whether you're a recent graduate or returning to study after a break, our postgraduate programmes in Vocal Performance provide you with advanced-level training in singing. You're encouraged and enabled to increase your experience as a performer and to broaden your repertoire, though you can also take the opportunity to specialise if you wish.

Alongside your vocal studies, our courses provide excellent opportunities for you to develop other skills relevant to a future career in the music profession. A separate postgraduate pathway is available for

Jazz vocalists

.

You'll receive specialist vocal tuition from leading UK and internationally renowned performers and teachers.

In addition, you'll enjoy regular opportunities to sing in a variety of contexts, both as a soloist and in ensembles with other performers. Such opportunities include not only classes and masterclasses (these last being led by distinguished guest performers), but also in concerts and on the operatic stage.

You'll have full access to our superb £57 million facilities, including our Concert Hall, 150-seat Recital Hall, our black box performance space known as The Lab, and more than 70 practice rooms, ensemble rooms and workshops; all acoustically designed to provide a music-making environment that is world class.

This course is

open

to

International

students.

What's covered in this course?

  • Regular individual specialist vocal tuition

    from leading UK and internationally renowned performers and teachers.

  • Regular vocal classes, including song classes, repertoire classes, and historical performance practice classes.
  • Bespoke language, stagecraft and dance classes.
  • Access to masterclasses with distinguished visiting guest artists.
  • Frequent chances to perform, including solo and ensemble
  • The chance to audition for our operas and musicals, which are fully staged productions in a professional venue, and frequently double-cast to allow the maximum number of students to benefit from the experience.
  • In PgDip and MMus, a core career development module designed to get you thinking about your future professional plans.

  • At PgDip and MMus levels, the flexibility to choose from a broad menu of Professional Development modules designed to help you work towards achieving your personal career aspirations.
  • In MMus, a core module designed to develop your skills as a researcher or informed practitioner.
  • In PgCert, the ability to focus wholly on the

    P

    rincipal

    S

    tudy area.

  • The possibility of transferring between PgDip and/or MMus (as appropriate) once you've begun your studies (but before completion of your original course).
  • I had a wonderful time on the course – it was intense but also very fulfilling. I felt my singing came on enormously with teachers and coaches who nurtured and challenged me, and performances that really moved me forward. I also enjoyed the variety of academic modules to choose from, which were all well taught and supported and felt relevant to my practice.

    Katie Gilbert, Soprano





    Studying with us during the Covid-19 pandemic

    The University has put in place

    measures in response to Covid-19

    to allow us to safely deliver our courses. Should the impact of the pandemic continue in future years, any additional or alternative arrangements put in place by the University will be in accordance with the latest government public health advice, health and safety legislation, and the terms and conditions of the

    student contract

    .

    Program Outline

    PG Cert

    In order to complete this course a student must successfully complete one of the following CORE modules (totalling 60 credits):

    As a postgraduate instrumentalist or singer, the Principal Study 1: Instrumental/Vocal Performance module enables you to advance your training in your specialist area and it is thus at the heart of your conservatoire studies. As the focus of this module is entirely on your own continued development as a performer, you will spend considerable time developing your technical facility, musicianship, interpretative skills and stylistic awareness, expanding your knowledge of the repertoire, refining your platform manner and presentation skills, and, in some cases, advancing your collaborative performance skills.

    Your work in this module is supported by one-to-one tuition and a variety of related activities in your Principal Study area, including performance classes, masterclasses and department-specific workshops (e.g. languages and movement for singers, reed-making for wind players, and so on). You will necessarily devote a considerable amount of time to individual practice.

    PG Dip

    In order to complete this course a student must successfully complete the following CORE module (totalling 60 credits):

    As a postgraduate instrumentalist or singer, the Principal Study 1: Instrumental/Vocal Performance module enables you to advance your training in your specialist area and it is thus at the heart of your conservatoire studies. As the focus of this module is entirely on your own continued development as a performer, you will spend considerable time developing your technical facility, musicianship, interpretative skills and stylistic awareness, expanding your knowledge of the repertoire, refining your platform manner and presentation skills, and, in some cases, advancing your collaborative performance skills.

    Your work in this module is supported by one-to-one tuition and a variety of related activities in your Principal Study area, including performance classes, masterclasses and department-specific workshops (e.g. languages and movement for singers, reed-making for wind players, and so on). You will necessarily devote a considerable amount of time to individual practice.

    In order to complete this course a student must successfully complete all the following CORE modules (totalling 20 credits):

    Members of the music profession require not only high-level specialist skills but also the ability to target those skills strategically to different circumstances. This module focuses on a range of different aspects of a musician’s professional development that directly relate to the music industry and their preparation for it: from self-promotion and self-management, to funding and wellbeing. It is thus central to a programme which aims to prepare you for a career as a musician in the 21st century.

    It requires you, near the beginning of your postgraduate studies, to reflect ambitiously yet realistically on your professional aspirations, and to formulate a plan that helps you stand the best chance of achieving your goals. Weekly workshops, delivered by internal staff and external professionals, will focus on the practicalities of a career in music, providing you with a better insight into the industry you will be entering, as well as encouraging you to be self-reflective about your own personal and professional development needs.

    In order to complete this course a student must successfully complete at least 40 credits from the following indicative list of OPTIONAL modules.

    Each module listed is worth 20 credits.

    Conservatoire based

  • Concepts in Musicology
  • Contemporary Music Concepts and Practice
  • Creative Interactive Music Technology Performance
  • Critical Editing Techniques
  • Documentation
  • Experimental Performance in Context(s)
  • Historical Instrument Performance
  • Historical Performance Practice
  • Independent Scholarship in Music
  • Music and Ideas
  • Music Technology Contexts
  • Orchestration
  • Performing and Producing in the Studio
  • Professional Music Criticism
  • Self-Promotion Project
  • Teaching Matters: Principles and Practice
  • Work Placement
  • Writing Music for Media
  • Conference Paper
  • Preparation for Research
  • Music, Community and Wellbeing (BMus module)

  • School of Art based

  • Art and Ecologies
  • Contemporary Philosophy and Aesthetics
  • Discourses in Art and Design
  • Models and Methods of Curatorial Practice
  • Queer Strategies in Practice
  • Small Arts Business Set Up
  • Social Practice in the Visual Arts

  • School of Media based

  • Live Events and Festival Management
  • Social Media as Culture and Practice
  • Core modules are guaranteed to run. Optional modules will vary from year to year and the published list is indicative only.

    MMus

    In order to complete this course a student must successfully complete THREE CORE modules (totalling 140 credits):

    Members of the music profession require not only high-level specialist skills but also the ability to target those skills strategically to different circumstances. This module focuses on a range of different aspects of a musician’s professional development that directly relate to the music industry and their preparation for it: from self-promotion and self-management, to funding and wellbeing. It is thus central to a programme which aims to prepare you for a career as a musician in the 21st century.

    It requires you, near the beginning of your postgraduate studies, to reflect ambitiously yet realistically on your professional aspirations, and to formulate a plan that helps you stand the best chance of achieving your goals. Weekly workshops, delivered by internal staff and external professionals, will focus on the practicalities of a career in music, providing you with a better insight into the industry you will be entering, as well as encouraging you to be self-reflective about your own personal and professional development needs.

    As a postgraduate instrumentalist or singer, the Principal Study 1: Instrumental/Vocal Performance module enables you to advance your training in your specialist area and it is thus at the heart of your conservatoire studies. As the focus of this module is entirely on your own continued development as a performer, you will spend considerable time developing your technical facility, musicianship, interpretative skills and stylistic awareness, expanding your knowledge of the repertoire, refining your platform manner and presentation skills, and, in some cases, advancing your collaborative performance skills.

    Your work in this module is supported by one-to-one tuition and a variety of related activities in your Principal Study area, including performance classes, masterclasses and department-specific workshops (e.g. languages and movement for singers, reed-making for wind players, and so on). You will necessarily devote a considerable amount of time to individual practice.

    As a postgraduate instrumentalist or singer, the Principal Study 1: Instrumental/Vocal Performance module enables you to advance your training in your specialist area and it is thus at the heart of your conservatoire studies. As the focus of this module is entirely on your own continued development as a performer, you will spend considerable time developing your technical facility, musicianship, interpretative skills and stylistic awareness, expanding your knowledge of the repertoire, refining your platform manner and presentation skills, and, in some cases, advancing your collaborative performance skills.

    Your work in this module is supported by one-to-one tuition and a variety of related activities in your Principal Study area, including performance classes, masterclasses and department-specific workshops (e.g. languages and movement for singers, reed-making for wind players, and so on). You will necessarily devote a considerable amount of time to individual practice.

    In order to complete this course, a student must successfully complete at least 100 credits from the following indicative list of OPTIONAL modules:

  • THREE Professional Development modules (20 credits each), and

  • ONE MMus optional module (40 credits)


  • Professional Development modules (20 credits each)

    Conservatoire based

  • Concepts in Musicology
  • Contemporary Music Concepts and Practice
  • Creative Interactive Music Technology Performance
  • Critical Editing Techniques
  • Documentation
  • Experimental Performance in Context(s)
  • Historical Instrument Performance
  • Historical Performance Practice
  • Independent Scholarship in Music
  • Music and Ideas
  • Music Technology Contexts
  • Orchestration
  • Performing and Producing in the Studio
  • Professional Music Criticism
  • Self-Promotion Project
  • Teaching Matters: Principles and Practice
  • Work Placement
  • Writing Music for Media
  • Conference Paper
  • Preparation for Research
  • Music, Community and Wellbeing (BMus module)
  • School of Art based

  • Art and Ecologies
  • Contemporary Philosophy and Aesthetics
  • Discourses in Art and Design
  • Models and Methods of Curatorial Practice
  • Queer Strategies in Practice
  • Small Arts Business Set Up
  • Social Practice in the Visual Arts
  • School of Media based

  • Live Events and Festival Management
  • Social Media as Culture and Practice

  • MMus optional modules (40 credits each)

  • Research Project
  • Critical Edition
  • Lecture-Recital
  • The Reflective Practioner

  • There are two pathways through this module: 1. Professional Placement, and 2. Creative Interdisciplinary Artist.
  • Core modules are guaranteed to run. Optional modules will vary from year to year and the published list is indicative only.


    Course structure

    Whichever course you choose, work in the

    Principal Study

    area – both individual tuition and Departmental activity – lies at its heart. Being the exit point for PgCert and PgDip, Principal Study 1 is more prescriptive than Principal Study 2 (MMus only), though both allow scope for you to explore repertoire of your own choice and to develop a specialist area if you wish. The possibilities are too numerous to list here, but usually include the potential to be assessed in an operatic role (if available, and subject to successful audition), as well as in other types of repertoire.

    Preparation for the Principal Study Project modules is supported by individual specialist tuition, as well as by departmental activities throughout the course.

    If you are a MMus or PgDip student you will take a

    Career Development

    module, which will require you, near the beginning of your course, to reflect ambitiously yet realistically on your professional aspirations, and to formulate a plan that helps you stand the best chance of achieving your goals. You will also choose, in addition, some

    Professional Development Options

    from a varied list. The following gives an indication the kind of optional modules which may be offered in a given year, including some offered by Birmingham City University’s Schools of Art and Media (

    note, not all will run every year

    ).

    MMus students will additionally choose a 40-credit option from one of two categories: ‘The Emerging Researcher’ or ‘The Reflective Practitioner’.


    Part-time options

    There is some room for negotiation in how the course unfolds for a part-time MMus student over three years, or in the case of part-time PgDip students, over two years.

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