Students
Tuition Fee
USD 19,641
Per year
Start Date
Medium of studying
On campus
Duration
Details
Program Details
Degree
Bachelors
Major
Food Preservation | Educational Administration
Area of study
Arts | Humanities
Education type
On campus
Timing
Full time
Course Language
English
Tuition Fee
Average International Tuition Fee
USD 19,641
Intakes
Program start dateApplication deadline
2023-09-172023-06-30
2024-01-222024-11-30
About Program

Program Overview


The degree in

Drama with History

allows you to develop a broad base of knowledge of Drama practices and systematic approaches to the analysis of works in performance; alongside developing a wide range of written, verbal, and analytical skills through the study of the events and processes that have shaped modern society.

There are particular areas of specialist practice in

Drama

that you can develop as you progress through each level of the degree. If you wish to pursue a creative career, although we do not provide full-time conservatoire training for actors, you can take modules that introduce you to the principles of acting, writing, directing, design, stage management, arts education and working with community groups. These can prepare you for further specialist professional training at post-graduate level.

Across the degree, you will develop a core set of academic skills in research, analysis and communication in written and oral formats. Alongside these, you will also develop transferable skills in group work, project management, problem solving and the use of key technologies.

The programme is designed specifically to facilitate the development of your ability to work independently. We will offer you extensive support and guidance throughout your studies, as you develop the skills necessary to carry out rigorous and sustained independent research and practice. In this way, you will develop key skills alongside foundational professional competencies you can draw on in your future career.

Attendance

The course normally lasts for three years (four years if you choose to do a placement).

During this time, there will be a number of different teaching and learning experiences for you to enjoy. You will be introduced to key topics in lectures, and you will get the chance to share your views with other students in small group seminars and to explore approaches through a range of practical workshops and projects. One-to-one tutorials, video and email consultations are also offered so that you can ask your lecturer the questions that really matter to you.

Timetabled sessions usually amount to about 9 hours per week, but you'll spend much more time reading, rehearsing and making performances.





Start dates

  • September 2023




  • Teaching, Learning and Assessment

    Learning and teaching methods include lectures, tutorials, seminars, practical workshops, group work, projects, rehearsals and production meetings. Particularly at Levels 5 and 6, divisions between these class types dissolve and an individual session with a tutor may involve a range of student-tutor activities. Tutor-led classes provide the core structure and support on individual modules, but the emphasis in learning remains on the student’s independent engagement with the scope of the module. Students are routinely expected, therefore, to prepare in advance for taught sessions.

    Within this context, lectures are used selectively to introduce key concepts and practices with which students will engage. The emphasis in lectures at all levels is on an interactive learning process, often based on students' prior preparation, through in-class tasks, or engaging with students' existing cultural capital.

    Seminars are the focal point for student-led discussion and engagement and students are required to prepare materials in advance and to follow-up issues independently as a response to this. Students may be required to undertake presentations or performances within the seminar format.

    Practical workshops are used to explore and test concepts and practices and, as appropriate, to develop experiential knowledge, practical skills and techniques. In some instances this will be through the production of creative projects. These projects will be driven by a specific brief, and at Levels 5 and 6, such briefs are geared towards professional practice.

    Tutorials are scheduled within modules to provide opportunities for face-to-face supervision; and where appropriate, feed-forward and feedback on assessed tasks.

    Digital resources are used to support students’ learning, made available primarily through the University's VLE, Blackboard Learn. Students are supported in using these resources from their Level 4 induction programme onwards through dedicated training sessions, support handouts and manuals and online tutorials.

    Group work is used within the taught settings and as a significant part of the independent learning process, particularly in areas of creative practical work. Students are given guidance and training in group work processes throughout the programme. Through negotiation and reflection within class they are supported in independent group working.

    Assessment strategies include essays, presentations, performances, literature reviews, dissertations, workshop demonstrations, creative writing, reflective essays and vivas, portfolios, and websites. Assessment strategies are constructively aligned with learning outcomes for the module and programme overall. While there are a relatively small number of summative assessments for any module (normally two, a maximum of three), these are supported by a range of opportunities for formative feedback.

    Prof Tom Maguire

    is a graduate of the universities of Edinburgh and Glasgow and is a Distinguished Teaching Fellow of the University. He teaches in the areas of contemporary performance and applied theatre. His research interests are in contemporary British and Irish theatre, particularly storytelling performance and Theatre for Young Audiences.

    Dr Lisa Fitzpatrick

    studied at Trinity College Dublin, University College Dublin, and the University of Toronto. She teaches in areas of critical theory and contemporary theatre. Her research interests are: violence and performance, Irish theatre, Canadian drama, and gender and performance.

    Dr Giuliano Campo

    is an Italian performer, director and writer whose research and teaching interests include actor training and theatre anthropology. His works are published in several countries in different languages, such as Italian, Polish, English and Portuguese.

    Dr Jennifer Goddard

    . Dr Goddard was awarded her PhD in drama and disability from Queen’s University, Belfast in 2018. She has also worked as a drama practitioner nationally and internationally for the past 17 years. Her current work is in the area of Applied and Community Theatre; Disability and Performance; Multi-Sensory Theatre & Early Years Performance; Qualitative Arts Research; and Drama Facilitation & Facilitator Training.





    Academic profile

    Dr Giuliano Campo

    is an Italian performer, director and writer whose research and teaching interests include actor training, world traditional disciplines of the self and theatre anthropology. His works are published in several countries in different languages. Giuliano is the Course Director for Drama.

    Prof Tom Maguire

    is the Head of the School of Arts and Humanities. He

    is a graduate of the universities of Edinburgh and Glasgow and is a Distinguished Teaching Fellow of the University. His research interests are in contemporary British and Irish theatre, particularly storytelling performance and Theatre for Young Audiences.

    Dr Lisa Fitzpatrick

    studied at Trinity College Dublin, University College Dublin, and the University of Toronto. She teaches in areas of critical theory and contemporary theatre. Her research interests are: violence and performance, Irish theatre, Canadian drama, and gender and performance.

    Dr Jennifer Goddard

    . Dr Goddard’s current work is in the area of Applied and Community Theatre; Disability and Performance; Multi-Sensory Theatre & Early Years Performance; Qualitative Arts Research; and Drama Facilitation & Facilitator Training. She continues to work closely with industry partners to develop research and community-based projects and provide consultation.

    The University employs over 1,000 suitably qualified and experienced academic staff - 59% have PhDs in their subject field and many have professional body recognition.

    Courses are taught by staff who are Professors (25%), Readers, Senior Lecturers (20%) or Lecturers (55%).

    We require most academic staff to be qualified to teach in higher education: 82% hold either Postgraduate Certificates in Higher Education Practice or higher. Most academic staff (81%) are accredited fellows of the Higher Education Academy (HEA) by Advanced HE - the university sector professional body for teaching and learning. Many academic and technical staff hold other professional body designations related to their subject or scholarly practice.

    The profiles of many academic staff can be found on the University’s departmental websites and give a detailed insight into the range of staffing and expertise.  The precise staffing for a course will depend on the department(s) involved and the availability and management of staff.  This is subject to change annually and is confirmed in the timetable issued at the start of the course.

    Occasionally, teaching may be supplemented by suitably qualified part-time staff (usually qualified researchers) and specialist guest lecturers. In these cases, all staff are inducted, mostly through our staff development programme ‘First Steps to Teaching’. In some cases, usually for provision in one of our out-centres, Recognised University Teachers are involved, supported by the University in suitable professional development for teaching.

    Figures correct for academic year 2021-2022.

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