Students
Tuition Fee
USD 21,576
Per course
Start Date
Not Available
Medium of studying
On campus
Duration
Not Available

You've viewed 1/5 programs/universities. You can view up to 5 programs/universities

Create a free account to unlock full content!

By registering, you agree to our Privacy Statement and Terms and Conditions.

Details
Program Details
Degree
Courses
Major
Oceanography
Area of study
Arts | Journalism and Information
Education type
On campus
Timing
Full time
Course Language
English
Tuition Fee
Average International Tuition Fee
USD 21,576
About Program

Program Overview


Course overview

Led by our highly regarded and experienced tutor, Dr Marcus Leadley, our Introductory course aims to take you on a journey of exploration through the thrilling and ever-popular world of Field Recording.

Thank you so so much for the wonderful journey towards field recording - it's been just incredible and gave me so much food for thought. Lavinia Siardi, Autumn 2022

From techniques designed to offer a foundation, to a much-needed overview of a discipline considered vitally important in the fields of film and documentary sound, radio, scientific and ecology enquiry as well as art practice, this course is designed to offer you a solid grounding on which to build, and possibly move on to take our advanced course:

Field Recording: Soundscape Composition

.

To avoid disappointment, please book your place on the course 72 hours prior to its commencement.

Whether you’re a complete beginner, or whether you have some experience of basic hand-held recorders and wants to improve the quality of their recordings, this 10-week course is for you! You will learn through a mixture of workshops, lectures, field trips, and recording sessions, as well as gaining valuable hands-on experience.





Brief course structure

  • Week 1

    - Lecture – Listening, Context and History of the Soundscape.
  • Week 2

    - Lecture / Soundwalk – Listening, Context and History of the Soundscape continued and Soundwalk.
  • Week 3

    - Lecture / Workshop – Portable Digital Recorders, Microphones and Techniques.
  • Week 4

    - Lecture / Workshop – Recording ‘Hidden’ Sounds: Contact Mics, Coil Mics, Hydrophones and Ultrasound Detectors.
  • Week 5

    - Field Trip.
  • Week 6

    – Lecture/Lab – Field Trip De-Brief + Group Listening to our Recordings.
  • Week 7

    - Lecture – Soundscape and the Socio-Political: Exploration of Arts Practices and Agendas.
  • Week 8

    - Lecture/Lab – Introduction to Software and Soundscape Composition Basics: Importing Files and Editing Sound. Composing with Sound in the Studio.
  • Week 9

    - Lecture /Lab – Equalization, Effects and Processing Sound + Composing with Sound in the Studio.
  • Week 10

    - Lab – Composing with Sound in the Studio + Presenting Work and Feedback.




  • Intended Learning Outcomes

  • Theoretical, practical and conceptual knowledge in phonography and soundscape composition.
  • Transferrable skills that can be used in a number of different contexts, including sound art and fine art, as well as documentary.
  • An understanding of ‘site’ encompassing space, place and location
.
  • An awareness of audio and microphone techniques
.
  • An understanding of the current and historical contexts of phonography.




  • Technical Requirements

    While the base-line technical requirement for taking this course is a computer and a recording device (mobile phone or other) you will, ideally, need either a decent set of computer monitor speakers or good headphones.

    Weekly sessions will be held over Zoom.





    See More